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István Farkas (October 20, 1887 in Budapest; died on July 1944 in the concentration camp Auschwitz-Birkenau) was a Hungarian painter, publisher and victim of the Holocaust. ==Life== István Farkas's father Jozsef Wolfner (1856-1932), a prominent art collector, was the founder of the book publishing house ''Singer and Wolfner''. István’s mother, Anna Goldberger, died when he was four years old. As an adult István changed his family name from Wolfner (the German word for wolf) to Farkas (the Hungarian word for wolf). The painter László Mednyánszky was Farkas’ first art teacher in Budapest.〔István Farkas, Painter, Books and Magazines Publisher, an Outstanding Representative of the Twentieth Century Hungarian and European Paintings and my Savior during the Siege of Budapest by Andrew P. Fodor〕 After receiving an education from the painters of the art colony Nagybánya〔Katalin S. Nagy, Imre Kertész: The Farkas Villa, Beiträge im Ausstellungskatalog des Historischen Museums Budapest 2005〕 he moved to Paris in 1912, entered the painter's circle of the Cubists of the Académie de La Palette and became friends with André Salmon who later wrote a monograph about him.〔Katalin S. Nagy, Imre Kertész: The Farkas Villa, Beiträge im Ausstellungskatalog des Historischen Museums Budapest 2005〕 In 1914 he joined the Austro-Hungarian army as a lieutenant. He was captured and held as a prisoner of war in Italy. In 1923, he met Ida Kohner (1895-1944), daughter of Baron Adolf Kohner, the president of the Federation of Jewish Communities in Hungary〔(Adolph Kohner Heads Jewish Communities Federation in Hungary ) JTA May 7, 1928〕 in the studio of Adolf Fényes. After marrying in 1925, they had three children together. Farkas had his first solo exhibition of 117 pictures in the (Ernst Museum ) in 1924. In November 1925 Farkas moved again to Paris, where he became part of the art scene at the Café de la Rotonde in the Montparnasse quarter. He became an established artist while in Paris, having many solo exhibitions, and one of the prominent Eastern European painters in the Ecole de Paris. As the sole heir of his father’s company, Farkas was forced to take over the family publishing house in Budapest after József Wolfner’s death in 1932. Under Farkas’ management the formerly conservative publishing house began publishing more progressive and modernist works. Despite his additional commitment as chief executive of the Új Idök KftHe, he kept his studio in Paris and continued to paint there. In 1932 and 1936 he had two large exhibitions at the Ernst Museum. In 1939, the Horthy regime increased the severity of existing anti-Semitic legislation which had been implemented in 1919. Farkas, a Jew, expected that he would receive the protected status of a decorated war veteran and officer and for a short time he did. In 1943, he was able to organize an exhibition in the Tamás gallery, the catalog of which contained a foreword by Ernő Kállai.〔Katalin S. Nagy, Imre Kertész: The Farkas Villa, Beiträge im Ausstellungskatalog des Historischen Museums Budapest 2005〕 After 1943 the persecution of Jews by the Hungarian authorities increased dramatically. Many of his friends and colleagues, including his French co-editor François Gachot, with whom he published books about József Rippl-Rónai, Tivadar Kosztka Csontváry and Benì Ferenczy pleaded with him to leave Hungary immediately. After the German occupation of Hungary in March 1944, the Nazis, in conjunction with the Hungarian authorities, started the active persecution of the Hungarian Jewish community, including the establishment of Jewish ghettos and the deportation of Jews to Auschwitz. The persecution began in the countryside and Farkas, living in Budapest, had a final opportunity to escape. Once again his friends, including the sculptor Pál Pátzay urged him to flee. But Farkas, still believing he would be protected from the Germans by the Hungarian authorities, remained. On April 15, 1944 he was arrested in Budapest along with a group of 45 Jewish journalists and publicists, among them editors of the Pester Lloyd. After being held for several weeks in the Kistarcsa deportation camp, Farkas was deported to Auschwitz where he was gassed upon his arrival. His wife, Ida Kohner, was murdered by a band of Hungarian fascists in Budapest and her body was thrown in the Danube river. Farkas expressed his resignation in a letter smuggled out of the Auschwitz-bound train during a stopover at Kecskemét: "''When human dignity is so humiliated, it is not worth living anymore.''" After the war the Russian occupation authorities confiscated his personal property, including his apartment in the Aradi utca and his mansion in Szigliget and nationalized his publishing house. Beginning in the mid-1980s Farkas' work was gradually rediscovered by the art community outside Hungary. Since then, he has been the subject of many exhibitions including solo shows in Rome,〔(Al Vittoriano a Roma le opere del pittore ungherese István Farkas ) ''Adnkronos'' - September 14th 2002〕 New York City〔(Istvan Farkas, Modernist Painter ) ''New York The Sun'' - September 23, 2005〕 and Amsterdam. In 1997 Farkas’ portrait of (Dezső Szomory ) was featured on the cover of the first edition of Nobel Prize winner Imre Kertész’ novel ''Valaki más''. He was also the subject of a book ''Pranzo di Famiglia''〔Alessandra Farkas: ''Pranzo di Famiglia'', Sperling&Kupfer Editori, 2006 ISBN 882004059X〕 written by his granddaughter Alessandra Farkas, published by Sperling&Kupfer in 2006. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「István Farkas (painter)」の詳細全文を読む スポンサード リンク
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